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Gallery
of Images
Participating
Artists:
(Click on name to view work and statement if available.)
Photo credits:
All individual work photographed by John Costill, installation views
by Satri Pencak, except where noted.
We express
our gratitude to Paul DeMarco and Julia L. Grant for their generous
support of this project.
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Two exhibitions in two
venues bring together the work of Marguerite Wildenhain and her
students. With Beyond Pond Farm: The Legacy of Marguerite Wildenhain
at Sebastopol Center for the Arts, and Marguerite Wildenhain:
Bauhaus to Pond Farm at the Sonoma County Museum, we highlight
the significance of this collective group of artists to the study
of ceramics and local history as well as the broader connection
to artistic and historic world events.
Marguerite Wildenhain
Marguerite Wildenhain, an internationally known ceramist, author,
and teacher, is considered to be one of the most accomplished ceramists
in the United States during the twentieth century. Ceramics Monthly
recognized Wildenhain as one of the world's greatest living potters
or ceramic artists. For four decades she lived and worked at Pond
Farm, an artist's enclave, located in what is now the Austin
Creek State Recreation Area, Guerneville, California. Here she taught
yearly summer sessions from 1949 until her retirement in 1980. She
continued to live at Pond Farm until her death in 1985 at age 88.
Marguerite Wildenhain
was born in France in 1896 of German Jewish extraction. The family
moved to Berlin when she was a child, and there she attended the
School of Fine and Applied Arts. After graduating she apprenticed
as a pattern designer for a porcelain factory. It was there that
she decided to study pottery. Upon discovering the newly formed
Bauhaus school of art and design, founded by Walter Gropius in Weimar,
Germany, Wildenhain moved and began studying at the Bauhaus in 1919,
where artists such as Paul Klee, Wassily Kandinsky, and Gerhard
Marcks were on the faculty. When the Nazi party took majority in
parliament, Gropius moved the school to Dessau in 1925, however,
the pottery department did not follow.
In 1926, Wildenhain
took a position as head of the Ceramics Department at the Municipal
School of Fine and Applied Arts in Halle-Saale. Here she remained
true to the Bauhaus principle that artists should design quality
wares that could be easily mass-produced, and thus stay true to
their craft as well as being valued members of society. During this
time she developed a collection of models for Royal Berlin and was
certified as a master potter by the German government.
In 1930 she married Franz
Wildenhain, one of her students. With the growing Nazi power it
was necessary for her and Franz to move to the Netherlands in 1933.
There they opened and operated a successful pottery studio. With
the German invasion of Poland in 1939 Marguerite decided to go to
America, and as a French citizen she was able to do so, however,
Franz, a German citizen, was not.
Marguerite arrived on
her own in New York in 1940. Shortly after her arrival she heard
from her friends, Gordon and Jane Herr. The Herr's had recently
purchased 160 acres in Northern California with the intention of
creating an art colony, and invited her to join them. She immediately
headed to San Francisco, and after arriving took a position teaching
ceramics at California College of Arts and Crafts in Oakland (now
CCA).
In 1942 she resigned
from her position at CCAC and moved to what was now called Pond
Farm. Here she lived in a tent while helping to rebuild a nineteenth-century
livestock barn into a pottery studio, eventually building a small
cabin for herself. Eventually, after becoming a U.S. citizen, she
was able to bring Franz to America. By 1949 other artists, both
American and European, began arriving at Pond Farm.
Pond Farm
Pond Farm continued as an artist's colony until about 1952, when
a number of things, including the death of Jane Herr, caused a gradual
dispersal of the group. While many of the artists moved away, Marguerite
Wildenhain stayed on and continued to teach summer sessions each
year. She traveled around the country at other times, teaching seminars
and workshops at various schools and institutions.
Students came from around
the country and the world to study with her, where she taught "basic
and fundamental elements that go into making a good piece of pottery."
During the two-month summer sessions twenty-some students worked
on wheels designed by Wildenhain, based on those used at the Bauhaus.
She expected her students to work hard and be dedicated to their
craft, teaching the importance of "grounding your life in your craft
and your craft in your life." While firm in her teaching style,
she developed a following of devoted and life-long friends. The
students became a family-her family-and many remain in contact with
each other to this day.
Many Pond Farmers, who
are located throughout the country, continue to create, teach and
sell their artwork. Some have moved on from ceramics to other media
such as sculpture or painting, but the influence of their experience
at Pond Farm remains a strong element in their work and in their
lives.
Today, Pond Farm Pottery
Studio remains substantially unchanged from its appearance during
its active years, 1940s to 1980. While not open to the public, the
entrance can be seen from the road through Austin Creek State Recreation
Area.
- Satri
Pencak
Director of Exhibitions
Sebastopol Center for the Arts
January 2007
Chronology
- 1896 Marguerite
Friedlander born in Lyon, France, October 11.
- 1919 Enters
Bauhaus art school in Weimar, Germany.
- 1926 Becomes head
of ceramics department at Municipal School for Arts and Crafts
at Halle, Germany.
- 1930 Marries
Franz Wildenhain.
- 1933 Marguerite
and Franz move to Holland and set up a pottery studio.
- 1940 Marguerite
flees Europe, arrives in New York, then settles in Northern California
to teach at CCAC in Oakland. Franz is unable to follow.
- 1942 Moves
to Pond Farm, helps Gordon and Jane Herr develop the studios.
- 1949 Other
artists arrive and classes begin at Pond Farm in various disciplines,
including ceramics.
- 1952 Jane Herr
dies, other artists begin to disperse, Wildenhain teaches summer
sessions in pottery on her own.
- 1963 California
State Parks acquires Pond Farm, Wildenhain has permission to remain
on the property, where she continues living and teaching.
- 1980 Last summer
session and kiln firing, Wildenhain retires from teaching but
stays on the land.
- 1985 Marguerite
Wildenhain, age 88, dies at Pond Farm.
- 2002 CSU San
Bernardino mounts Ripples, an exhibition of the work of Wildenhain
and her students.
- 2007 Sebastopol
Center for the Arts presents Beyond Pond Farm: The Legacy of
Marguerite Wildenhain, in collaboration with Marguerite
Wildenhain: Bauhaus to Pond Farm, organized by the Sonoma
County Museum.
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